Halsey Rodman

Projects
  1. Metronomes

  2. I Am Thinking of a Reverse Sunset
  3. Gradually/We Became Aware/Of a Hum in the Room
  4. Sometimes it is a Murmur, Sometimes it is a Pulse
  5. CC22 @ White Columns*** 
  6. THE ROCK*
  7. International Space Station**
  8. The Moon Bar

  9. The Wind at Night

  10. Triple Trouble

  11. Cave System or Ear Canal

  12. Towards the Possibility of Existing in Three Places at Once

  13. The Wolves from Three Angles

  14. It’s Not Getting Bigger You’re Getting Closer

  15. The Birds

  16. The Navigator

  17. Clouds

  18. The Navigators’ Quarters Must Not Be Disturbed


* with Pam Lins and approximately 24 named and anonymous contributors
** with Pam Lins, Trisha Baga, and 140 contributors
*** with
Ceramics Club

Contact/CV
Mark

The Wind at Night


The Wind at Night (A), 2019
steel, cardboard, foam coat, aluminum sign board, acrylic paint
4 units: Yellow (40”W x 30”D x 88”H), Pink (36”W x 24”D x 105”H), Orange (43”W, 21.5”D x 106”H), Blue (51.5”W x 21.5”D x 114.5”H)

The four units are separate but comprise a single piece. Color and shape shift radically in relation to viewpoint, formally reflecting even slight differences in position. From certain angles the forms compress, nearly disappearing into their own profiles.

The title was inspired by the almost constant wind in the high desert of Southern California: the rocks sit still but the plants shift and shake in the breeze, a flow of difference continuing whether we are there to witness this movement or not.



The Wind at Night (B), 2019
nine bricks, twine, MDF, acrylic paint
34”W x 19”D x 97”H


The arcing bricks describe a roughly curved plane to support the vertical disc. The circle is 1/4” thick, painted a very light magenta on one side and a pale green on the other.


The Wind at Night (C), 2018
3 drawings, 18” W x 24” H each
gouache, acrylic, and pencil on paper

The “sweep spaces” of the metronomes contain tracings of shadows cast sequentially, from left to right, from the same wilting mugwort clipping. The grays of the metronomes are the same while the background pinks modulate in steps to become more saturated.
Mark