Halsey Rodman

Projects
  1. Metronomes

  2. I Am Thinking of a Reverse Sunset
  3. Gradually/We Became Aware/Of a Hum in the Room
  4. Sometimes it is a Murmur, Sometimes it is a Pulse
  5. CC22 @ White Columns*** 
  6. THE ROCK*
  7. International Space Station**
  8. The Moon Bar

  9. The Wind at Night

  10. Triple Trouble

  11. Cave System or Ear Canal

  12. Towards the Possibility of Existing in Three Places at Once

  13. The Wolves from Three Angles

  14. It’s Not Getting Bigger You’re Getting Closer

  15. The Birds

  16. The Navigator

  17. Clouds

  18. The Navigators’ Quarters Must Not Be Disturbed


* with Pam Lins and approximately 24 named and anonymous contributors
** with Pam Lins, Trisha Baga, and 140 contributors
*** with
Ceramics Club

Contact/CV
Mark
halsey dot rodman at gmail dot com

Born 1973, Davis, California

Education
2003 MFA, School of the Arts, Columbia University (Sculpture)
1995 BA, College of Creative Studies @ UCSB (Sculpture)

Solo Exhibitions and Special Projects
2022 “CC22” (fundraiser exhibition organized with Ceramics Club including the work of 90 contributing artists), White Columns, NY (forthcoming)
2020 “THE ROCK” (a public project initiated with Pam Lins, includes the work of multiple artists), Montrose & Manhattan Aves, Brooklyn NY
2018 “International Space Station” (fundraiser organized in collaboration with Pam Lins and Trisha Baga along with 140 contributing artists), PS1 MOMA, NY
2015 “Triple Trouble”, Kansas, New York, NY
2014 “Gradually/We Became Aware/Of A Hum In The Room” (Phase One), High Desert Test Sites, Joshua Tree, CA (ongoing)
2013 “Cave System or Ear Canal”, Soloway, Brooklyn, NY
2011 “Towards the Possibility of Existing In Three Places at Once”, solo presentation within “Evidence of Bricks” curated by Kristan Kennedy, PICA, Portland, OR
2010 “Portugal Arte 10”, Lisbon, Portugal (solo presentation)
2008 “The Birds”, Guild & Greyshkul, New York, NY
2006 “The Navigator’s Quarters Must Not Be Disturbed”, Guild & Greyshkul, New York, NY
2005 “The Minded Swarm”, LACE, Los Angeles, CA (in collaboration with Kathleen Johnson, Andy Alexander, and Jennifer Lane)
2004 “K Is Multiplied – The Swirling Mists Freeze and The Stars Melt Across The Sky…”, Triple Candie, New York, NY
2000 “One and Many Suns”, Caltech University, Pasadena, CA

Group Exhibitions
2023 “Invisible Ground of Sympathy” curated by Taylor Davis, ICA, Boston, MA (forthcoming)
2020 “10th Anniversary”, Soloway, Brooklyn, NY
2019 “Notebook” curated by Joanne Greenbaum, 56 Henry, NY
“It’s Necessary to Talk About Trees”, River Valley Arts Collective, Catskill, NY
“Friends and Family” curated by Keith Mayerson, Peter Mendenhall Gallery, Pasadena, CA
2017 “Sinister Feminism: The 12th Annual A.I.R. Biennial” (in collaboration with Ceramics Club), A.I.R. Gallery, Brooklyn, NY
“Nancy Shaver: Standardization, Variation and the Idiosyncratic” (as part of Quilt Wall), Venice Biennale, Venice, Italy
2016 “Foundation Barbin Presents Redeux (Sort Of)”, Kai Matsumiya, NY
“Nancy Shaver: Dress the Form” (as part of Quilt Wall), Derek Eller, NY
“Ceramics Now”, Jane Hartsook Gallery, NY
2015 “Material Stackers”, Old Room, NY 
“CCCC: Ceramics Club Cash and Cary”, White Columns, NY (in collaboration with Ceramics Club
“Initial Conditions: Artists Make Spaces”, Franklin Street Works, Stamford, CT (in collaboration with Ceramics Club)
“Dead: A Celebration of Mortality”, Saatchi Gallery, London
“Sorry, I’ve Been Teaching a Peacock How to Act”, Rachel Uffner Gallery, NY
2014 “Visiting Faculty 2014-15”, Carpenter Center for the Visual Arts, Harvard University, MA
“Starting Here: A Selection of Distinguished Artists from UCSB”, AD&A Museum, UC Santa Barbara, CA
“Some Nights When Nothing Happens”, Usable Space, Milwaukee, WI
2013 “Visiting Faculty 2012-13”, Carpenter Center for the Visual Arts, Harvard University, MA
“Spiral Bound: New York”, Mooney Center Gallery at the College of New Rochelle, New Rochelle, NY
2012 “Pitch: Lonnie Holley, Fabienne Lasserre, Halsey Rodman”, Jeff Bailey Gallery, NY
“Video<>Object” curated by Romanov Grave, Dorsky Gallery, Long Island City, NY
2011 “The Drawing Club”, Soloway, Brooklyn, NY (in collaboration w/ The Drawing Club)
“Homemade Holograms: Two Clocks” curated by Jim Ovelman, Post, LA
“Paper A-Z”, Sue Scott Gallery, NY
“A Room, In Three Movements: Katy Heinlein, Sheila Pepe and Halsey Rodman”, Sue Scott Gallery, NY
“Universe City” organized by Jim Ovelmen and Barry Markowitz, CSULA Fine Arts Gallery, Los Angeles, CA
“The Erasers” curated by Corinna Kirsch, The Soap Factory, Minneapolis, MN
“Spiral Bound”, curated by Romanov Grave, National University, San Diego, CA
2010 “parts and labor”, Soloway, Brooklyn, NY (in collaboration with Munro Galloway)
“in here”, Laurel Gitlen, New York, NY
2009 “The Kings County Biennial”, Kidd Yellin, Brooklyn, NY
“Pinch Pots and Pyramids”, Kate Werble, NY
“Spacial Propositions” curated by Gandalf Gavan, Fundacion Patiño, Santa Cruz, Bolivia
“Splinter of the Mind’s Eye” curated by Joseph Wolin, Philip Slein Gallery, St. Louis, MO
“PERFORMANCE @ Renwick”, Renwick Gallery, New York, NY
“On From Here”, Guild & Greyshkul, New York, NY
2008 “Without Walls”, Museum 52, New York , NY
“Scene/Seen: Recent Acquisitions from the Luckman Fine Arts Complex Permanent Collection, 1979-2006”, Luckman Fine Arts Gallery, CSULA, Los Angeles, CA
2007 “The Line of Time and the Plane of Now” curated by Jacob Dyrenforth, Ohad Meromi, and Halsey Rodman, Harris Lieberman, New York, NY (May 31 – June 31)
“Corridor At Sea: The Performative Object – Garrick Imatani, Pam Lins, Ohad Meromi, Halsey Rodman” The Institute of Contemporary Art at Maine College of Art, Portland, ME(June 16 – August 12)
“Public Park” curated by John Pearson, Scoops, Los Angeles, CA
“jerks, balks, outblurts, and jump-overs” curated by Matt Wardell, Raid Projects, Los Angeles, CA
“NeoIntegrity” curated by Keith Mayerson, Derek Eller Gallery, New York, NY
2006 “Public Storage/Temple Hospital”, organized by John Pearson, Mandrake, Los Angeles, CA
2005 “The General’s Jamboree”, Guild and Greyshkul, New York, NY
“Annotations”, curated by Public-Holiday Projects, Champion Fine Arts, Los Angeles, CA
“Excitations”, curated by Matt Keegan, Andrew Kreps Gallery, New York, NY
“Who Is The Protagonist?”, curated by Ohad Meromi, Guild and Greyshkul, New York, NY
2004 “Free Radio HDTS”, programming curated by Fabienne Lasserre & Christy Gast, High Desert Test Sites 4 at High Desert Test Sites, Joshua Tree, CA; and Strange Animals at L.A.C.E., Los Angeles, CA
“Skull Turner”, Year Project, Brooklyn, NY (in collaboration with Jacob Dyrenforth)
“They Think I’m One Of Them”, Guild and Greyshkul, New York, NY
“Global Consulting Group: Art in the Office” curated by Matt Keegan, Global Consulting Group, New York, NY
“drift:shift”, Linda Schwartz Gallery, Cincinnati, OH (in collaboration with Jacob Dyrenforth)
2003 “The Changing Same: Artists in Harlem”, Triple Candie, New York, NY
“The Outlaw Series” curated by Lisa Kirk, various locations, New York, NY (in collaboration with Matt King)
“You” curated by Lisa Kirk, Royalmodern, New York, NY
“Emerging Artist Fellowship Exhibition”, Socrates Sculpture Park, Long Island City, NY
“One Enemy vs. 25 Millions of Friends”, Kunsthochschule Kassel, Germany
“MFA Thesis Show”, Studebaker Building, Columbia University, New York, NY
“College Arts Association New York Area MFA Exhibition”, Hunter College/Times Square Gallery, New York, NY
2002 “High Desert Test Sites”, Joshua Tree, CA (in collaboration with A.O.T.)
“Procession” curated by Eva Respini, Columbia University, New York, NY
  “Returning MFA Show”, Le Roy Neiman Center for Print Studies Gallery, New York, NY
“Escape”, Egizio’s Project, New York, NY
“First Year MFA Exhibition” curated by Eungie Joo, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY
“Mondo Cane II” organized by Sally Ann Rowland and Elvis Richardson, Leroy Neiman Gallery, Columbia University, New York, NY
2001 “Stone Soup”, Three-Day Weekend, Los Angeles, CA
“Two Friends and So On” organized by Jonathan Horowitz and Rob Pruitt, Marc Foxx Gallery, Los Angeles, CA
“Mural II”, Irvine Fine Arts Center, Irvine, CA
“l*AND*sc*APE” curated by George Raggett, Cirrus Gallery, Los Angeles, CA
2000 “For Example”, Acuna-Hansen Gallery, Los Angeles, CA
“Next Door to Fishcorner Corp.” organized by Garrick Imatani and Hung Tran, New York, NY
1999 “Southern California Car Culture”, Irvine Fine Arts Center, Irvine, CA
“Post Millennial Fizzie (Addressing the Possibility of the Future)” curated by Julie Joyce and Adam Ross, Luckman Fine Arts Gallery, CSULA, Los Angeles, CA and Beaver College Art Gallery, Glenside, PA
1998 “Time Travel”, Hollywood DMV, Los Angeles, CA
Grammercy International Art Fair, Gavlak Projects, Los Angeles, CA
1997 “Quartzose” curated by Michael Darling, Galleri Tommy Lund, Denmark
“Flaming June”, Gavlak Projects, Los Angeles, CA
“April”, Crockett Rodeo, Seattle WA
1996 “Space Space” curated by Steve Hartzog, Post, Los Angeles, CA
“Skin Deep”, Thomas Solomon’s Garage, Los Angeles, CA

Curatorial
2020 “Fields and Grounds and Things Landing: Works by Taylor Davis, Dmitri Hertz, and Matthew Schrader”, Soloway Gallery, Brooklyn, NY
2019 Lance Rutledge, “Nothing Allowed to Occur Here Under Any Circumstances, Whatsoever, Period.”, Soloway Gallery, Brooklyn, NY
2013 Sari Carel / The Museum of Commerce, La Mama Gallery, NY
2007 “The Line of Time and the Plane of Now” curated by Jacob Dyrenforth, Ohad Meromi, and Halsey Rodman, Harris Lieberman, New York, NY (May 31 – June 31)

Publications
2020 Form IV (formiv.com), digital poster for THE ROCK, a project initiated with Pam Lins
2015 Cave System or Ear Canal, Publication Studio, book with poster
2010 Shape of Things To Come: New Sculpture, Saatchi Gallery, Rizzoli
2009 N-1 transitional friendships, Fundacion Simòn I. Patino, catalog for exhibition
2008 Champion Zero, Flora Wiegmann and Drew Heitzler, 2nd Cannons Press
J & L Video #2 – Videos and Vodka, J&L Books, video compilation selected by Jacob Dyrenforth and Eva Respini
Corridor At Sea, catalog for exhibition
2006 Flash Art Online, studio visit series interview w/ Andrea Belllini
ETC., catalog for a series of exhibitions curated by Matt Keegan, Andrew Kreps Gallery
2005 North Drive Press, 26” x 38” poster
Champion 1: Annotations, Champion Fine Art
2004 Summerkit, interview with Andrea Zittel
2002 Charley, Les Presses du Reel, edited by Maurizio Cattelan, Bettina Funcke, Massimilliano Gioni, and Ali Subotnick

Press/Reviews
Bishara, Hakim, “In Brooklyn, an Artist-decorated Boulder Might Disappear Due to Fracking”, hyperallergic.com, (October 20, 2020), illus.
Brock, Peter, “The Rock”, The Brooklyn Rail (July-August 2020), illus.
Carayol, Sébastien, “High Desert: C’est arty pour un tour”, Liberacion (February 28, 2015), illus.
Raskin, Laura, “Something Borrowed”, Architectural Record, (August 2014), illus.
Estefan, Kareem, “Inside and Out”, The New York Times (November 24, 2013), illus
Martin, Cameron, “Painting Has Issues”, Paper Monument, Number 4, (Summer 2013), illus.
Müller, Ulrike, “Halsey Rodman by Ulrike Müller”, Bomb Magazine (Spring 2013), illus.
Levy, Michelle, “The Tension of Objects in Space”, Artslant, (February 27, 2011)
Fry, Naomi, “A Room, In Three Movements”, Critic’s Picks, artforum.com (February 2011)
Jarvis, Claire, “The Wolves from Three Angles; Or, The Benefits of the Middle”, Arcade , (January 26, 2011)
“Goings On About Town: Art”, The New Yorker, (February 14 & 21, 2011)
Cashdan, Marina, “The Promised Land? Will Portugal Arte 10 Become a Fixture on the Art World Calendar?”, The Huffington Post, (August 3, 2010)
Smith, Roberta, “Varieties of Abstraction”, The New York Times (August 6, 2010), illus.
Trezzi, Nicola, “Craft – From Commodities to Talismans: Modernity As A Remedy To The Aftermath”, Flash Art (July-September 2009), illus.
Cooper, Ivy, “Take A Look at ‘…the Mind’s Eye’ at Slein”, The St. Louis Beacon, (June 11, 2009)
Smith, Roberta, “A Gallery Goes Out in a Burst of Energy”, The New York Times (February 6, 2009)
Johnson, Paddy, “Halsey Rodman”, Art F City at The L Magazine, (July 9-15, 2008)
Clark, E.K., “Presenting The Navigator”, NY Arts Magazine, (September/October 2006)
Saltz, Jerry, “States of Change”, The Village Voice (June 28, 2006)
Smith, Roberta, “Halsey Rodman”, The New York Times (June 23, 2006)
Wolin, Joseph R., “Halsey Rodman”, Time Out New York (June 29, 2006)
White, Roger, The Brooklyn Rail (October 2004)
Robinson, Walter, “Weekend Update”, artnet.com (29 April 2004)
Meyer, Ruth K., “drift:shift at Linda Schwartz”, irhine.com, (1 February 2004)
Scarborough, James, “Mural II Irvine Fine Arts Center”, New York Arts Magazine, (October 2001)
Pence, Elizabeth, “l*AND*sc*APE at Cirrus Gallery”, Artweek, (September 2001)
Rosenholtz, Ellen, “Beginning of the End?”, Philadelphia Weekly, (17 November 1999)
Rice, Robin, “Futurama”, Philadelphia City Paper, (26 November 1999)
Harvey, Doug, “Futurama”, LA Weekly, (9 April 1999)
Pagel, David, “A Package With More Than Meets the Eye (Jason Rogenes and Space Space with Adam Ross Chris Wilder, Jason Rogenes, Carlos Molura, Andrea Bowers, Halsey Rodman)”, LA Times, (5 November 1996)



Mark